|
The Professor | The Course | |
| Charley Seavey | Tuesday-Thursday | |
| SLS, Room 12 | 12:30-1:45 p.m. | |
| 621-3957 | Psych 208 | |
| cas@gas.uug.arizona.edu |
Students are responsible for
knowing the contents of this syllabus and completing all assignments
in accordance with the schedule herein. If it is in here, you
are expected to know it.
This course focuses on information as
it is used, and defined, by society. The primary lens, or theoretical
background, used in this investigation is the notion of "cultural
hegemony," proposed by Antonio Gramsci. We will study information
as both a reflection and shaper of society, and society as a reflection
and shaper of information. The relationship of libraries and
other information agencies to the state, and the role of information
professionals in the political and cultural spheres are central
themes in the course.
GOALS AND OBJECTIVES
The student should gain an introduction
to the relationship of information and society, and understand
that the two shape each other.
The most important objective of all:
the development and demonstration of critical thinking skills.
COURSE REQUIREMENTS
1. Informed participation in class
(5%).
2. Mid-term exam. Take home (20%).
3. Semester Paper (50%). Select an
information agency or structure*. How does that agency
or structure reflect (or not) the cutural hegemony of that portion
of society it is designed to serve? If it is designed to serve
the entire population, does it, in fact, do so? What can we learn
about both the agency/structure, and its contextual society, by
looking at both through the concept of cultural hegemony?
*by information structure I mean a system
designed to provide access, or deliver, information that can be
used across a number of agencies. LCSH would be an example of
an information structure. So would the copyright system.
Pay particular attention to "How to Write for This Course" later in the syllabus. Obviously for 50% of your grade I expect an in-depth treatment, with appropriate structure and presentation.
4. Final exam. Take home (25%).
GRADING
Letter grades are awarded on the following
basis:
93 = A
83-92 = B
73-82 = C
73 = abject failure
Grades are calculated using a spreadsheet
program. There is no rounding up for computing final grades.
Work completed in a competent and timely
fashion receives a grade of B. The grade of A is reserved for
truly outstanding work. In graduate school a grade of C can be
regarded as a failure.
Text and Assigned Readings
Sasson, Anne Showstack. Gramsci's
Politics. 2nd. ed. University of Minnesota Press, 1987.
Landy, Marcia. Film, Politics, and
Gramsci. University of Minnesota Press, 1994.
There are a myriad of Gramsci books around. These two are a.) in print, b.) in paperback, and c.)readable. Gramsci himself wrote in Italian, and in the sometimes tortured language of the Italian far left of the 1920s. Marxist language is often laden with terminology that is not always obvious to non-practitioners of that end of the spectrum. Some of Gramsci's later writings had to be published under the watchful eye of Mussolini's fascist government which didn't do too much for clarity. A fair number of Gramsci's works have been translated. If you get interested there is a bibliography available here or via FTP from Jafar.sir.arizona.edu. The version on Jafar is in both WinWord (.doc), WordPerfect (.wpd), and as an RTF document.
It is expected that students will do a considerable amount of reading outside of the assignments.
Schedule of Events and Readings.
As of this writing I have not
settled on the final schedule. In general the first third of
the course will be weighted heavily towards the theoretical background
and an understanding of Gramsci's notions. The latter two-thirds
will be focused on the interaction of information systems, including
libraries, and the socio-political-cultural milieu in which they
exist. The final schedule will probably not appear until early
August.
COMMUNICATIONS
I will check my email several times
a day. You can leave a message for me in my mailbox. If the
announced office hours are inconvenient, please see me for an
appointment.
A listserv is setup for the class.
The name is LIS500. All students are required to subscribe
to the listserv, and are encouraged to use it. I expect you to
be on the listserv by the end of the first week of classes. At
the end of each week the professor will pose a question on the
list and expects debate to ensue. All grades, changes in the
schedule, and any other important information will be distributed
via the listserv.
In addition to the above the SLS maintains
a general listserv for student use. ARIZSLS@LISTSERV.ARIZONA.EDU
may be subscribed to by sending a subscription message to LISTSERV@LISTSERV.CCIT.ARIZONA.EDU.
The message should read: subscribe arizsls (your name). Use
your name, not (your name).
Listservs are the primary communications
tool used by the School, and your professor. If information was
imparted on the lists, and you missed it, you have only yourself
to blame.
IMPORTANT INFORMATION:
1. Late papers will be graded down.
No exceptions.
2. We expect papers to be typewritten
in clear, concise, and grammatically correct English. Papers
not meeting these standards will be redone until they do so, losing
points along the way. Suggestions on how to write for this course
are attached.
3A. If your word processor/computer
combination supports true proportional spacing you may use full
justification. If your equipment does not, or you don't know
what this means, don't use full justification. I prefer a ragged
right margin to funny spacing in the lines.
3B. If your word processor/computer combination
supports true proportional spacing you may use full justification.
If your equipment does not, or you don't know what this means,
don't use full justification. I prefer a ragged right margin to
funny spacing in the lines.
3A is correct according to the directions.
3B is incorrect. Kindly take this seriously.
4. THE FOLLOWING POLICY APPLIES TO WORK DONE FOR THIS CLASS:
Students assume full responsibility for the content and integrity of the academic work they submit. The guiding principle of academic integrity shall be that a student's submitted work, examinations, reports or projects must be that student's own work. Actions constituting a violation of the Code shall include those outlined below. Students shall be guilty of violating the Code and be subject to proceedings under it if they:
a.. Represent the work of others as their own.
b. Use or obtain unauthorized assistance in any academic work.
c. Give unauthorized assistance to other
students.
d. Modify, without faculty approval, an examination, paper, record, or report for the purpose of obtaining additional credit
e. Fail to meet other conditions of academic integrity as required by a faculty member for a specific course.
The material in bold
is excerpted from the University of Arizona Code of Academic
Integrity, as printed in the University Handbook for Appointed
Personnel. There are also excerpts from the Code in
the SLS student organization handbook. See also an electronic version
if you have any questions.
If you are not sure what any of this
means, find out. I interpret this very strictly. Unless specific
permission is granted for group, or team projects, we expect that
your work will reflect only you own efforts.
I further expect you to know the meaning
of the term "plagiarism," and make very sure you understand
how to properly use, and cite, the work of others in your papers.
This is a zero tolerance situation.
*****************************************************************
HOW TO WRITE FOR THIS
COURSE
"Say a thing in one sentence as straight as it can be made, and then drop it."
William James
I expect that papers for a graduate
level course will be written as if for publication. Not only
must the basic facts of the subject be mastered, and all the relevant
sources explored, but the text must be written clearly:
1. Who, what, where, when, and exactly
how much must always be obvious.
Know what you wish to say, and
say only that; define new terms or new uses of old ones.
2. Avoid ambiguity.
"You can't put too much water
in a nuclear reactor."
3. Link sentences and paragraphs logically
and intelligibly. The reader shouldn't have to rearrange your
ideas to make sense out of them.
4. Sentences should not be so long that
the reader loses his or her way. Otherwise you are likely to
lose the readers attention, as so often happened with the prose
of 19th century essayists such as Oliver Wendell Holmes, who was
not only a doctor, professor, and novelist, but also the father
of the famous Supreme Court Justice Oliver Wendell Holmes Jr.
(an intriguing character who combined the ideals of New England
humanism with the prejudices of the upperclass, wealthy
society in which he moved)...and before you know it you will have
wandered very far afield.
For practice, read lots of Jesse
Shera. Or Winston Churchill.
5. Avoid irrelevant or tangential topics.
Stick to the point.
[see number 4}
6. No obstacle should come between you
and your reader.
When revising, imagine the reader over your shoulder and apply the rules listed above before typing your final product.